Presentazione
Abstract
Reuse of historical buildings is a controversial topic as it involves transformations of, and possible changes to, historical buildings, which are often considered immutable. What happens if, instead, one considers a historical building as an “open work”? - As such, a project of conservation, which frequently includes re-use of the building, therefore becomes a process to manage potential unavoidable transformations? This question is the starting point of the research here presented on the topic L’architettura come “opera aperta”. Il tema dell’uso nel progetto di conservazione. The main idea of the author, who elaborated this study during his PhD Course, is that it is possible to manage the potential transformations which a project of reuse could involve, using semiotics to understand, explain and preserve all the values (stratifications and traces over time) that it holds. It is an original point of view – which however is not without risks – that considers the project of reuse and conservation as a great opportunity to understand and protect the richness and complexity of historical buildings and also to connect the past (the historical building itself) and the future (the new function of it).
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Copyright (c) 2018 Annunziata Maria Oteri
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
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ArcHistoR è una rivista open access e peer reviewed (double blind), di Storia dell’architettura e Restauro, pubblicata dall’Università Mediterranea di Reggio Calabria. La rivista ha cadenza semestrale.
Comitato scientifico internazionale
Maria Dolores Antigüedad del Castillo-Olivares (Universidad Nacional de Educación a Distancia de España), Monica Butzek (Kunsthistorisches Institut in Florenz), Jean-François Cabestan (Université Paris 1 - Panthéon Sorbonne), Alicia Cámara Muñoz (Universidad Nacional de Educación a Distancia de España), David Friedman (Massachussets Institute of Technology), Alexandre Gady (Université Paris-IV-Sorbonne, Centre André Chastel), Jörg Garms (Universität Wien), Miles Glenndinning (Scottish Centre for Conservation Studies, University of Edinburgh), Christopher Johns (Vanderbilt University, Nashville), Mark Wilson Jones (University of Bath), Loughlin Kealy (University College Dublin), Paulo Lourenço (Department of Civil Engineering, University of Minho), David Marshall (University of Melbourne), Werner Oechslin (ETH, Zurich, Stiftung Bibliothek Werner Oechslin, Einsiedeln), José Luis Sancho (Dirección de Conservación de Bienes Histórico-Artísticos, Palacio Real, Madrid), Dmitrij O. Švidkovskij (Moscow Architectural Institute, MARCHI)
Comitato direttivo
Tommaso Manfredi (direttore responsabile), Giuseppina Scamardì (direttore editoriale), Bruno Mussari, Annunziata Maria Oteri, Francesca Passalacqua
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Laboratorio Cross. Storia dell'architettura e restauro
ISSN 2384-8898
This work is licensed under a Creative Commons Attribution-NonCommercial 2.0 Generic License.